I Am What I Play is a feature-length documentary about the heyday of rock radio. The film profiles four rock radio disc jockeys from four different markets, while exploring the changing nature of likeloveall.com: Documentary. Apr 26, · Storyline From the s to the s, the rock radio DJ played an unprecedented creative role in the rock music world. I Am What I Play profiles four disc jockeys in major markets during this period: their programming, their politics and their deep connections with musicians and fans in the heyday of rock radio/10(18).
King has been heavily promoting his documentary for several years throughout its project stage. AOR is founded by a combination of repentant top 40 jocks and those with no radio preconceptions. But even if you know their stories, you can count on four veteran jocks for enough great anecdotes to fill 90 minutes and King i am what i play documentary them coming at a clip that the most rigid consultant would approve of.
Many documenary topics are handled in two or three soundbites. At one point, the morning man offers to pay then-elusive group head Karmazin for three minutes of his time; Karmazin not only cashes the check but tweaks Laquidara by donating the money to the NRA. Griffin recounts a negative experience with Bob Pittman, but it involves the time that she was almost hired at MTV, not his current tenure at iHeartMedia.
James Cridland, take note. How to size gloves for hands are a few obscure choices of the sort both favored by documentary music supervisors and made inevitable by documentary budget limitations; those rankle only because a film like this makes you want to hear more of the music that actually drove radio in this era.
Only a few can play music. You at home can play records. I am what i play documentary might not be able to mix them the way I do.
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I Am What I Play
Create. Make social videos in an instant: use custom templates to tell the right story for your business. Live Streaming. Broadcast your events with reliable, high-quality live streaming. Sep 10, · FILM NOW AVAILABLE for streaming or download On Vimeo: likeloveall.com Prime:likeloveall.com I Am What I Play - Movies on Google Play I Am What I Play is a feature-length documentary about the heyday of rock radio. The film profiles four rock radio disc jockeys from four different markets, while exploring the changing nature of radio. I Am What I PlayFollowers: K.
Necessary viewing! A testament to the power of the medium! Will bring viewers to a place when radio mattered! It shows why so many of us fell hard for radio. The rock radio DJ once played an unprecedented creative role in the rock music world. I Am What I Play profiles four DJs in major markets: their programming, their politics, and their deep connections with musicians and fans in the heyday of rock radio.
Where are they now — and how did they reinvent themselves as the medium changed? Roger King has spent the better part of two decades in and around the film and television industry, writing and producing various projects for broadcast, as well as a couple of short films. His main job though has been that of a Toronto-based voice talent and talent agent owner.
It only makes sense then that he would produce and direct a project that is the perfect marriage of film and voice: a documentary about rock radio disc jockeys.
Meg Griffin is a rock radio legend, having spent almost 40 years on New York airwaves. Later, at the incomparable WNEW, she played a major role in championing the punk and new wave scene of the late 70s and early 80s, introducing listeners to the music of Patti Smith, The Ramones, Talking Heads and many others.
Griffin has been honored by the Rock and Roll Hall of Fame and continues her groundbreaking free-form radio work on three different Sirius XM satellite radio channels. Charles Laquidara was the morning man for pioneering free form station WBCN in Boston for over 25 years and was among the highest paid radio personalities in the U. Laquidara was inducted into the Massachusetts Broadcasting Hall of Fame in Get the 7th Art Newsletter.
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