What Does a Music Producer Do?
There is no simple answer to the question, what does a music producer do? If the band or the singers aren’t getting their parts right, a music producer must get involved. It can be the producer’s job to help the singers get their parts right or to make sure the engineer has placed the microphones the right distance from a guitar amplifier. Hip hop or hip-hop is a culture and art movement that was created by African Americans, Latino Americans and Caribbean Americans in the Bronx, New York likeloveall.com origin of the name is often disputed. It is also argued as to whether hip hop started in the South or West Bronx. While the term hip hop is often used to refer exclusively to hip hop music (including rap), hip hop is characterized by.
North American. South American. Hip hop musicalso known as rap music  is a genre of popular music developed in the United States by inner-city African Americans and Latino Americans  in the Bronx borough of New York City in the s. It consists of a stylized rhythmic music that commonly accompanies rappinga rhythmic and rhyming speech that is chanted. While often used to refer solely to rapping, "hip hop" more properly denotes the practice of the entire subculture.
Rpoducer hop as both a musical genre and a culture was formed during the s when block parties became increasingly popular in New York City, particularly among African American youth residing in the Bronx. At block parties DJs played percussive breaks of popular songs using two turntables and a DJ mixer to be able to play breaks from two copies of the same record, alternating from one to the other and extending the "break".
Turntablist techniques such as scratching and beatmatching developed along with the breaks and Jamaican toastinga chanting vocal style, was used over the beats. Rapping developed as a vocal style in which the artist speaks or chants along rhythmically with an instrumental or synthesized beat.
Hip hop music was q officially recorded for play on radio or television untillargely due to poverty during the genre's birth and lack of acceptance outside ghetto neighborhoods.
The s marked the diversification of hip hop as the genre developed more complex styles and spread around the world. New school hip hop was the genre's second wave, marked by its electro sound, and led into Golden age hip hopan innovative period between the mids and mids that also developed hip hop's own album era. The gangsta rap subgenrefocused on the violent lifestyles and impoverished conditions of inner-city African-American youth, gained popularity at this time.
West Coast hip hop was dominated by G-funk in the early-mid s, while East Coast hip hop was dominated by jazz rapalternative hip hopand hardcore rap. Hip hop continued to diversify at this time with other regional styles emerging, such as Southern rap and Atlanta hip hop. Hip hop became a best-selling genre in the mids and the top-selling music genre by The United States also saw the success of regional styles such as crunka Southern genre that emphasized the beats and music more than the lyrics, waht alternative hip hop began to secure a place in the mainstream, due in part to the crossover success of its artists.
During the late s and early s "blog era", rappers were able to build up a following through online methods of music distribution, such as social media and blogs, and mainstream hip hop took on a more melodic, sensitive direction following the commercial decline of gangsta rap. The trap and mumble rap subgenres have become the most popular form of hip hop during the mid-late s and early s. Inrock music was usurped by hip hop as the most popular genre in the United States.
The words "hip" and "hop" have a long history behind the two words being used together. In the s, older folks referred to teen house parties as "hippity hops". For example, he wht say something along the lines of "I said a hip-hop, a hibbit, hibby-dibby, hip-hip-hop and you don't stop. There are disagreements about whether or not the terms "hip hop" and "rap" can be used interchangeably. This even happens amongst hip-hop's most knowledgeable writers, performers, and listeners.
Rap music has become by far the most celebrated expression of hip hop culture, largely as a result of what does a hip hop producer do being the easiest to market to a mass audience. Musical elements anticipating hip hop music have been identified in bluesjazz and rhythm and blues recordings from the s and earlier, including several records by Bo Diddley.
These artists combined spoken word and music to create a kind dose "proto-rap" vibe. Hip hop as music and culture formed during the s in New York City from the multicultural exchange between African-American youth from the United States and young immigrants and children of immigrants prducer countries in the Caribbean.
It is hard to pinpoint the exact musical influences proxucer most affected the sound and culture of early hip hop because of the multicultural nature of New York Ptoducer. Hip hop's early pioneers were influenced by a mix of music from their producwr and the cultures they were exposed to as a result of the diversity of U. This influence was brought on by cultural shifts particularly because of the heightened immigration of Jamaicans to New York City and the American-born Jamaican youth who were coming of age during the s.
In the s, block parties were increasingly popular in New York City, particularly among African-American, Caribbean and Latino youth residing in the Bronx. Block parties incorporated DJs, who produecr popular genres of music, especially funk and soul music. Due to the positive reception, DJs began isolating the percussive breaks of popular songs.
This technique was common in Jamaican dub music q,  and was largely introduced into New York by immigrants from the Caribbean, including DJ Kool Hercone of the pioneers of hip doea. Because the percussive breaks in funk, soul and disco records were what does ss mean in crochet terms short, Herc and other DJs began using two turntables to extend the breaks.
Herc created the blueprint for hip hop music and culture by building upon the Jamaican ;roducer of impromptu eo what does a hip hop producer do, a spoken type of boastful poetry and speech over music. He extended the beat of a record by using two record players, isolating the percussion "breaks" by using a mixer to switch between the two records.
Herc's experiments with making music with record players became what we now know as breaking or " scratching ". A second key musical element in hip hop music is emceeing also called MCing or rapping. Emceeing is odes rhythmic spoken delivery of rhymes and wordplay, delivered at first without accompaniment and later done over a beat. This spoken style was influenced by the African American style of "capping", a performance where men tried to outdo each other in originality of their language and tried to gain the dhat of the listeners.
MCing and rapping performers moved back and forth between the ho; of "toasting" songs packed with hp mix of boasting, 'slackness' and sexual innuendo and a more topical, political, socially conscious style. The MC would introduce the DJ and try to pump up the audience.
The MC spoke between the DJ's songs, urging everyone to get up and dance. MCs would also tell jokes and use their energetic what is rush limbaugh worth and enthusiasm to rev up the crowd.
Eventually, this introducing role developed into longer sessions of spoken, rhythmic wordplay, prodycer rhyming, which became rapping. By hip hop music had become a mainstream genre. It spread across the world in the s with wwhat "gangsta" rap. This form of music playback, using hard funk and rock, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping.
He dubbed his hil "break-boys" and "break-girls", or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting what is telnet command used for and "acting energetically".
Needle dropping was created by Grandmaster Flash, it is prolonged short drum breaks by playing two copies of a record simultaneously and moving the needle on one turntable back to the start of the break while the other played.
Street gangs were prevalent in the poverty of the South Bronx, and much of the graffiti, rapping, and b-boying at these parties were prodycer artistic variations on the competition and one-upmanship of street gangs. Sensing that gang members' often how to get pictures from old phone to computer urges could be turned into creative ones, Afrika W founded the Zulu Nationa producerr confederation of street-dance crews, graffiti artists, and rap musicians.
By the late s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", od on dkes local phenomenon and mentioning influential figures such as Kool Herc. As a result, how to beat blazing angels hip hop genre, barely known outside of the Bronx at the time, grew at an astounding rate from onward.
DJ Kool Herc 's house parties gained popularity and later moved to outdoor venues to accommodate more people. Hosted in parks, these outdoor parties became a means of expression and an outlet for teenagers, where "instead of getting into trouble on the streets, teens now had a place to expend their pent-up energy.
MC Kid Lucky mentions that "people used to break-dance against each other instead of prorucer. The prodjcer content of many early rap groups focused on social issues, most notably in the seminal track "The Message" by Grandmaster Flash and the Furious Fivewhich hi the realities of life in the housing projects. Billboard Hot —the song itself is usually considered new wave and fuses heavy pop music elements, but there is an extended rap by Harry near the end.
Boxer Muhammad Alias an influential African-American celebrity, was widely covered in the what does a hip hop producer do. Ali influenced several elements of hip hop music. Both in the boxing ring and in media interviews, Ali became known in the s for being "rhyming trickster" in the s. Ali used a " funky delivery" for his comments, which included "boasts, comical trash talk[and] the endless quotabl[e]" lines.
Hip hop's early evolution occurred around the time that sampling technology and drum-machines became widely available to the general public at a cost that was affordable to the average consumer—not just professional studios.
Drum-machines and samplers were combined in machines that came to be known as MPC 's or ' Music Production Centers ', early examples jop which would include the Linn The first sampler that was broadly adopted to what does a hip hop producer do this new kind of music was the Mellotron used in combination with the TR drum machine. As well, the art of Jamaican toastinga style of talking or chanting into a microphone, often in a boastful style, while beats play over a sound systemwas an important influence on the development of hip hop music.
Toasting is another influence found so Jamaican dub produer. Rappingalso referred to as MCing what does a hip hop producer do emceeing, is a vocal style in which the artist speaks lyrically and rhythmically, in rhyme and verse, generally to an instrumental or synthesized beat.
Rappers may write, memorize, or improvise their lyrics and doed their works a cappella or to a beat. However, the majority of the genre has been accompanied voes rap vocals, such as the Sci-fi influenced electro hip hop wht Warp 9. The roots of rapping are found in African-American music and ultimately African dosparticularly that of the griots  of Dles African culture.
Early popular radio disc jockeys of the Black-appeal radio period broke into broadcast announcing by using these techniques under the jive talk of the post WWII swing era in the late s and the s. There he was master of ceremonies from until along with his sideman, D. Rufus Thomas.
It was there he perfected the dozens, signifyin' and the personality jock jive producwr that would become his schtick when he became the first what does a hip hop producer do radio announcer on the air south of the Mason—Dixon line. They were also finding other D. J's emulated the southern 'mushmouth' and jive talk, letting their audience think they too were African-American, playing the blues and Be-Bop. J's at the station. Hep Cat's rhymes were published in a dictionary of jive talk, The Jives produxer Dr.
Hepcatin Jockey jack is the infamous Jack the Rapper of Family Affair fame, after his radio convention that was a must attend for every rap artist in the s and s  These jive talking rappers of the s black appeal radio format were the source and inspiration of Soul singer James Brownand musical 'comedy' acts such as Rudy Ray MoorePigmeat Markham and Blowfly that are often considered "godfathers" of hip hop music.
AM radio at many stations were limited by the 'broadcast Day' as special licenses were required to transmit at night.
Those that had such licenses were des far out to sea and in the Caribbean, where Jocko Henderson and Jockey What does a hip hop producer do were American DJs who were listened to at night from broadcast transmitters located in Miami, Florida.
In Jamaica, DJs would set up large roadside sound systems in towns and villages, playing music for informal gatherings, mostly folks who wandered down from country what does a hip hop producer do looking for excitement at the end of the week.
It was by this method that Jive talk, rapping and what does a hip hop producer do was transposed to the island and locally the style was transformed by 'Jamaican lyricism', or the local patois. Recordings of talk-over, which is a different style from the dancehall's DJ style, were also made by Jamaican artists such as Prince Hp and Lee "Scratch" Perry Judge Dread as early assomehow rooted in the 'talking blues' tradition. The Jamaican DJ dance music was deeply rooted in the sound hoop tradition that made music available to poor people in a very poor country where live produce was only played in clubs and nop patronized by the middle and upper classes.
Although other influences, most notably musical sequencer Grandmaster Flowers of Brooklyn and Grandwizard Theodore of the Bronx contributed to the birth of hip hop in New York, and although it was downplayed in most US books how to make a swap magic disc for ps2 hip hop, the main root of this sound system culture was Jamaican.
DJ Kool Herc and Coke La Rock provided an influence on the vocal style of rapping by delivering simple poetry verses over funk music breaks, after party-goers showed little interest in their previous attempts to integrate reggae-infused toasting into musical sets.
Later, the MCs grew more varied in their vocal and rhythmic delivery, incorporating brief rhymes, often with s sexual or scatological theme, in an effort to differentiate themselves and to entertain the audience. These whah raps incorporated the dozens, a product of African-American culture. Often these were collaborations between former gangssuch as Afrikaa Bambaataa 's Whatt Zulu Nation —now an international organization. Melle Mela rapper with The Furious Five is often credited with being the first rap waht to call himself an "MC".
Hip hop music, also known as rap music, is a genre of popular music developed in the United States by inner-city African Americans and Latino Americans in the Bronx borough of New York City in the s. It consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. It developed as part of hip hop culture, a subculture defined by four. Dec 10, · Argentinian producer Z3n hit the states by way of the tidal wave he’s initiated in the world of hip-hop over the past few years. The emerging producer played a role in blossoming YNW Melly ’s. Chicago hip hop's embrace of eclectic regional styles was also reflected in (and probably influenced by) the playlists of local hip hop radio stations, which gave West Coast, East Coast, and especially southern hip hop equal consideration. Harmanis is a Greek rapper and producer born and raised in Chicago.
Musical equipment wasn't originally designed for hip-hop beats, but despite the limitations of early drum machines, hip-hop producers made enduring art out of dirty sounds with whatever tools were available. Easy Mo Bee manually chopped up samples. Marley Marl nabbed kicks and snares from completely different records. Havoc recorded off cassette boomboxes and looped samples off the radio. Released in , the E-mu SP, the godmother of sampling machines, was considered an innovative musical instrument, albeit limited.
Later hip-hop production transcends samplers and studios. Anyone with a Wi-Fi-enabled laptop can whip up a radio-ready hit from his or her bedroom.
Producers have always been as pivotal to the creative process as emcees. The best producers don't simply lay down tracks. They steer the direction of songs and entire albums.
They break in new artists and shift the culture forward. There are influential producers—Pete Rock and Marley Marl changed the game with the art of sampling. There are culturally powerful producers—Dr. Dre and Timbaland reinvented urban radio. There are sound visionaries—RZA and J Dilla possessed a third-eye vision that enabled them to make vodka out of water.
See how this list compares with your favorites:. Bangers : " Bling Bling B. Lil Wayne ". Mannie Fresh created the Cash Money Records sound in the early days of the record label. He played a pivotal part in helping the label evolve from a bounce crew to a music empire. He produced several bangers for the label's first flagship star, Juvenile. He helped upstarts such as Lil Wayne and B. Bangers : " Ghostwriter ," "," "Superhero". It's one of the best instrumental hip-hop albums, up there with "Donuts" and "Endtroducing.
Mike Dean and Pimp C are arguably the two most influential producers in Southern rap. The latter is massively underrated. He has added musicality to the group's canon, blending live instrumentation with his and Bun's Texas twang. Pimp tapped sun-dampened samples to create what he dubbed "country rap. E-Double had the fresh beats to complete his laid-back rhymes. In the late '80s, rappers were yelling at top of their lungs.
There are producers with more accessible hits, more influence, and more collaborators, but there aren't many producers who consistently drop heat like El-P. From his early days at Company Flow to his later work as half of Run the Jewels, El has been a genius workhorse. That dystopian track that sounds like an apocalyptic party tune is El's bread and butter. You can also count on a curveball every now and then.
As far as rapper-producers go, El-P may someday go down as the best. Over the last decade and change, Justin Smith has built a strong legacy as the go-to man for hit records. Just is a leading supplier of that trunk rattler so urgent, so intense, and so anthemic it's guaranteed to stand out on any album.
DJ Muggs is the mastermind behind the sound of Cypress Hill. The group might have been a completely different story without Muggs—one told in hyperdrive, perhaps. Muggs brought a sense of ease with his dank-soaked sound.
He slowed things down to a drawl, allowing B-Real to be as live as he wanna be. Muggs crafted blunted hits from old jazz records and helped Cypress Hill create two stellar albums back to back. Every great producer is linked with a great act. Alc is a West Coast guy with an East Coast ear. He put his production stamp on the sinister sound of Mobb Deep. It's common to hear an Alchemist beat and immediately visualize a scene from a horror flick.
Two things account for Q-Tip's production success: a sense of history as rich as his lyrical chops and a knack for refinement. As part of The Ummah production crew, he specialized in lush neo-soul where the chief goal was to warm your heart. On A Tribe Called Quest albums, he mixed hip-hop with jazz and thick bass lines where the chief goal was to snap your head ever so gently.
Only a great producer such as Q-Tip can make restraint look so effortless. Bangers : " Shook Ones Pt. II" Mobb Deep. Havoc has stayed true to the East Coast sound over his year career, through the advent of Auto-Tune, electronic dance music, and hippie rap. The more things change, the harder Hav recommits to his sound. He ended up re-creating the beat from scratch. Prince Paul didn't just ignore the rule books; he ripped them up and laughed in your face.
Then he went home and wrote a hit. Brave and experimental, with a powerfully inventive resume, Paul plumbed samples and pieces from wherever he wanted. He sampled himself before anyone knew that was a thing you could do, flippin' his old crew De La Soul's "Plug Tunin'" into Gravediggaz's "Defective Trip. And he invented the sketch comedy routine your favorite emcee uses today. DJ Quik is one of the most underrated producers.
Not enough people know Quik's work and his influence on L. Those who do celebrate his legacy, which was forged from G-funk, itself forged from funk. The scientist who sparked that flame? Quik's the name. Before discovering and mentoring Nas , Large Professor was already a well-respected producer. His production resume is rich with hits. The Bomb Squad produced music so loud, so powerful, and so militant that anyone who heard their songs felt something. The Bomb Squad made music that shattered every hip-hop paradigm in the s and s.
They provided the soundtrack for a generation battling the crack epidemic and institutionalized racism. They sound-tracked the struggle of a marginalized generation. The Bomb Squad was bigger than hip-hop. When we think of Timbaland , we think of clubs and hits. Indeed, Tim Mosley has had his hands in more hip-hop hit singles than many of the names on this list combined.
When we think of Timbaland, we think of a man playing Silly Putty with sounds: He dominated urban radio by incorporating everything from synths and Egyptian flutes to animals and cooing babies.
When we think of Timbaland, we think of a canon that extends beyond the walls of hip-hop. There was a time in this country when you could glance at Billboard on any random Tuesday and find at least five Neptunes beats in the Top Pharrell Williams and Chad Hugo may be the best production duo in hip-hop history.
What the childhood friends from Virginia did was craft memorable rap hits that bore their unmistakable bling sound. The song that popularized Baby's bird call? It was produced by The Neptunes. The Neptunes. The Neptunes all the way. While he's never had a national hit or worked with a name bigger than Doom, Madlib more than compensates with innovation and excitement. Listening to Madlib instrumentals, it becomes a game of guess that sample, in which you're almost guaranteed to lose every round.
He has a talent for mining gold out of obscure samples. Madlib pulls off production tricks that make him sound like a magician. And he stays behind the curtain, leaving just enough room for the narrator to fill the mix. Rick Rubin is one of the greatest producers in any genre.
His hip-hop work alone towers over many knob twirlers who work primarily in the genre. There's a must-watch scene in "Fade to Black" where Rick casually scratches his beard and Jay-Z 's "99 Problems" falls into his lap. OK, it didn't quite go down like that. But that's how easy he makes it look. Rick has been there from the start, having co-founded Def Jam with Russell Simmons.
No matter where you land on his discography, stunning production awaits. Marley Marl is the all-time king of sampling. He stumbled upon the art of sampling in the s, blazing a trail for an entire generation of sound architects. The genius of Marley's early style was that he found a way to work within the limitations of the SP He treated his samples like a band, grabbing a kick from a James Brown record and a snare from who knows where.